Stravinsky quotes
From Tedb0t:
Found this fascinating blog post about Stravinsky and his controversial comment:
http://theoryofmusic.wordpress.com/2008/10/10/stravinsky-on-expression-in-music/
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Tags: music, stravinsky
using reason
here is a little youtube demo on how to get started using Reason for those of you interested in working with it to create your pieces.
http://www.youtube.com/watch?v=OADBlQKqPzU
there should be a few computers in the AV lab with reason installed.
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Messiaen
here are some good online articles regarding Olivier Messiaen’s use of rhythm. Pay close attention to the idea of “non-retrogradable” rhythms, (rhythms that are perfectly symmetrical…palindromes….e.g. (2+3+5+3+2) and added values.
http://oliviermessiaen.net/musical-language/rhythmic-language
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john cage on Glenn Branca

this is a great interview by Wim Mertens with John Cage talking a bit about John Cage’s feeling about composition, Glenn Branca’s music, society, language…
fun to hear Cage’s thoughts on music in the No Wave era.
http://ubu.artmob.ca/sound/chicago_82/Chicago_82-B2_Cage-Mertens_So-that-each.mp3
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Great overview of 20th century music with audio samples.
http://www.therestisnoise.com/audio
I highly recommend his book “the rest is noise“…now in paperback…
for our purposes, check out these sections:
DOCTOR FAUST: Schoenberg, Debussy, and Atonality
and
ZION PARK: Messiaen, Ligeti, and the Avant-Garde of the Sixties
and
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Serial Music Reading List

sol lewitt
Hey there…welcome to the new blog. For week 2 we’re talking about Serialism.
I can’t recommend this book enough:
Introduction to post-tonal theory: Joseph Straus
And here’s a pretty massive and impressive reading list by Peter Castine on the subject in case you’d like to start digging deeper into the technique:
Forte, Allen. The Structure of Atonal Music. New Haven, Conn.: Yale University Press, 1973.
Morris, Robert D. Class Notes for Atonal Music Theory. Hanover, New Hamphsire: Forg Peak Music, 1991.
Morris, Robert D. Composition with Pitch-Classes. New Haven: Yale University Press, 1987.
Rahn, John. Basic Atonal Theory. New York: Schirmer Books, 1980.
further reading
Alphonce, Bo Harry. The Invariance Matrix. Ph.D. dissertation, Yale University, 1974.
Babbitt, Milton. Set Strucuture as a Compositional Determinant. JMT 5, no. 2 (1961): 72-94.
Babbitt, Milton. Some Aspects of Twelve-Tone Composition. 12 (1955): 53-61.
Babbitt, Milton. Twelve-Tone Invariants as Compositional Determinants. MQ 46, no. 2 (1960): 246-59.
Chrisman, Richard. Identification and Correlation of Pitch-Sets. JMT 15, no. 1 and 2 (1971): 58-83.
Clough, John. Diatonic Interval Sets and Transformational Structures. PNM 18, no. 1&2 (1979): 461-482.
Clough, John. Pitch-Set Equivalence and Inclusion (A Comment on Fortes Theory of Set-Complexes). JMT 9, no. 1 (1965): 163-71.
Forte, Allen. Sets and Non-Sets in Schoenbergs Atonal Music. PNM 11, no. 2 (1972): 43-64.
Forte, Allen. The structure of atonal music: Practical aspects of a computer-oriented research project. In Musicology and the Computer.
Musicology 1966-2000: A Practical Program. Three Symposia. New York: American Musicological Society, 1970.
Hanson, Howard. Harmonic Materials of Modern Music: Resources of the Tempered Scale. New York: Appleton-Century-Crofts, 1960.
Lewin, David. Fortes interval vector, my interval function, and Regeners common-note function. JMT 21, no. 2 (1977): 194-237.
Lewin, David. Generalized Musical Intervals and Transformations. New Haven, Conn.: Yale University, 1987.
Lewin, David. Klumpenhouwer networks and some isographies that involve them. Spectrum 12, no. 1 (1990): 83-120.
Lewin, David. A response to a response: On pcset relatedness. PNM 18 (1979): 498-502.
Martino, Donald. The source-set and its aggregate formations. JMT 5, no. 2 (1961): 224-73.
Perle, George. Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern. 3rd ed. Los Angeles, California: University of California Press, 1972.
Rogers, John. Some properties of non-duplicating rotational arrays. PNM 7, no. 1 (1968): 80-102.
Starr, Daniel, and Robert D. Morris. A general theory of combinatoriality and the aggregate. PNM 16, no. 1 (1977): 3-35.
Wintle, Christopher. Milton Babbitt’s Semi-Simple Variations. PNM 14, no. 2 and 15:1 (1976): 111-54.
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